Social Media Marketing World 2026: The Takeaways Powering Our Next Social Media Intensive

Social Media Marketing World 2026: The Takeaways Powering Our Next Social Media Intensive

By Raewyn Sangari | Creative Director, Women in Publishing

Most social media marketing advice was never written for authors.

It’s written for influencers, extroverts, and big brand businesses. Authors are sold the idea that they have to perform and play the algorithm game. That’s not how most authors work, so that’s why social media marketing for authors feels so hard.

So when a friend offered me her all-access badge to Social Media Marketing World 2026, I said yes immediately. Tickets were almost $2,000 and the conference was built for big-brand marketers. I walked in as the Creative Director of the Women in Publishing Summit with one mission: find what actually serves authors in book marketing and translate it from there.

Because that’s the gap. There’s no shortage of social media marketing advice. There’s a shortage of advice that’s been translated for the way authors actually live and work.

These are the top takeaways I came home with for you, and the foundation of our next Social Media Intensive.

So what’s changing in the social media marketing world? In short, the way people search and discover things online is shifting. AI is eroding trust online, which actually creates an opportunity for authors. Real voices, real stories, and real humans cut through in a way AI-generated content never will. The algorithms are content-driven, not follower-driven; so everyone has a chance at getting their content seen. This is the best moment in years for an indie or hybrid author with a story and a voice to be discovered.

The 5 Takeaways I’m Bringing Back to the Women in Publishing Community

Takeaway 1: Connection is an Algorithm Strategy

It was strangely validating to hear this from global marketing agencies and social media experts. Connection is at the heart of social media and selling books. Your readers want to connect with your book and then with you. But how do they find you?

This is social discovery. 1 in 4 users are searching within the first 30 seconds of opening an app. We have to shift away from the know-like-trust mindset and into what Judi Fox calls the Trust Matrix: find-remember-trust.

Find-remember-trust means: be discoverable, be memorable, and be trusted. The order matters, and connection is what powers all three.

The number one thing we’ve discovered is that social media is always going to be a place focused on the social connection. It’s important to understand how social media marketing works, while holding onto that social mindset.

Translation: Your content on social media needs to be find-able, which we’ll talk more about in the next takeaway. It needs to connect with them, evoking emotions. Behind-the-scenes and process posts will build their trust in you.

Takeaway 2: Your First Frame Is the Whole Game

Oysterly Media talked about Feed Engine Optimization that would stop the scroll. The algorithms are advanced enough that they can read the on-screen text, the audio, the metadata of the graphics and videos.

The formula she gave for Feed Engine Optimization stressed the first-frame of your video or graphic, billboard style text, pattern interruptions, subtitles on videos, and a sharp ending. If that sounds like a lot, here’s what actually matters: have movement in the first frame, large strategically placed text as a title for the first 3 seconds, and on videos, a sharp ending so that the video restarts.

Translation: Your opening line on a video or carousel matters as much as the opening of your book for discoverability.

Takeaway 3: Bring Emotion to Your Posts

The posts that readers watch, share, and comment on the most are the ones that evoke an emotion in them. That’s Advertising 101. Judi Fox shared this Emotional Wheel on her LinkedIn, suggesting we pick one emotion per post to drive the reaction you want. This particular strategy is LinkedIn or Facebook specific, but you still want to lead with emotions for your Instagram and TikTok posts, as that encourages watch time and shares.

Authors literally craft scenes for emotional impact. You already know how to do this. The mistake we make is leaving that skill at the page when we open Instagram. Bring the same emotional intentionality to your captions, your hooks, and your slide-by-slide carousels. You’re not learning a new skill. You’re transferring one you already have.

Translation: This is a natural part of writing as an author, but often one we can forget when we’re sharing our books.

Takeaway 4: Social Media is the Starting Point, Not the Selling Point

Your social media marketing strategy is not your sales strategy. You might get sales from your content by bringing awareness and excitement for your books; but this shouldn’t be your expectation. When you lead with connection, you’re able to bring your audience off of social media to make the sale.

Michelle Gifford, Creative Brand Strategist, introduced her content strategy framework focusing on taking the social media user from viewing your post, commenting, receiving a direct message and converting to a subscriber or purchaser. Her advice was tailored to business owners, including her Bio Roast technique. The good news? Cayce and I have been adapting bio rewrites specifically for authors in our WIP social media sessions for years. We know exactly how to translate this for the way readers actually find books.

Translation: Make sure you have a clear path from social media to nurture or conversation to the sale or newsletter. You need to take your readers on a journey, so they can trust you.

Takeaway 5: You Have to Analyze the Data

Honestly? This is my biggest struggle as a Creative Director. I love chasing trends and infusing content with personality. The data? The conversion tracking? That’s where I have room to grow, and I’m sharing that openly because many of you are in the same boat.

Tracking what we create is SO important, and probably the biggest personal practice I will be implementing from the conference. In fact, Michelle Gifford even had some Analytics Affirmations, that I now have on a sticky note on my laptop.

If you’re running ads of any sort, tracking the data is very important. In addition to tracking the data, spend some time learning WHY it happened. Nick Theriot gave very specific examples of how to track and what to track for Facebook Ads.

Translation: Numbers aren’t always our favorite thing, but it’s information, not a reflection of your efforts. Make sure to look at ad information for 10 minutes (max), and ask yourself what went right, what went wrong, and what can be improved.

What This Means for Our Next Social Media Intensive

Some of these takeaways are the foundation of what we’re tackling in our upcoming Social Media Intensive. I say tackling instead of teaching because the majority of our time together will be real-time application. This is where we do the translation work together.

This intensive is for you if:

You know you should be on social media.

You’ve tried. You’ve stopped. You’ve told yourself you’ll start again Monday.

You feel like an imposter every time you open the app.

The problem isn’t you. Nobody ever showed you how to make it feel like you.

Here’s what you’ll walk away with:

Clarity. The relief of finally knowing exactly what to do, where to do it, and how to sound like yourself doing it. No more guessing. No more guilt. No more starting over every Monday.

Here’s who you get to be after one day with us:

An author who shows up with confidence. A platform that fits. A bio that works. And content that actually sounds like you.

You don’t need to become someone else online. You need a framework that channels who you already are.

You’re not a writer trying to be a marketer. Your story IS your strategy.

Inside the 4-Hour Intensive

The Truth Drop: What social media for authors actually is (and what it isn’t).

Mindset Switches for Relatability: Because the biggest thing blocking you online isn’t time. It’s the story you’re telling yourself about who gets to take up space.

Find Your Platform: Stop trying to be everywhere. We’ll find the one that matches how you naturally communicate AND where your readers actually live.

Bio Optimization Hot Seats: Your bio is your handshake, your hook, and your CTA all in one line. We’re fixing them live.

Content That Sounds Like You: A handful of content buckets that make showing up feel sustainable, not stressful.

Live Profile Audits: Real-time feedback on what’s working and the one change that moves the needle.


 

Just because advice exists doesn’t mean it’s for you. But when you finally find the advice that fits the way you live, write, and connect? That’s when social media stops feeling like a performance and starts feeling like an extension of your work as an author.

Join us for this 4-hour workshop for authors

Raewyn Sangari

Raewyn Sangari

Creative Director of Women in Publishing Summit

Raewyn Sangari makes marketing feel approachable, creative, and community-driven. She leads the design and content strategy behind the brands’ workshops, events, and social presence, helping authors and book professionals grow their visibility with confidence. Whether she’s crafting graphics, building launch campaigns, or fostering engagement in the WIP Society, Raewyn’s mission is simple: to make showing up and connecting with readers feel less overwhelming—and a lot more fun.

Top PR and Marketing Tips for Authors Who Want Long-Term Book Sales

Top PR and Marketing Tips for Authors Who Want Long-Term Book Sales

This post was inspired from a podcast interview on Alexa’s Publishing Chat with Aimee Ravichandran. You can listen to the episode below.

Launching a Book Is Only the Beginning

For authors who want their books to sell beyond the first few weeks, a smart mix of PR, marketing, and long-term strategy is essential. In a recent conversation on Alexa’s Publishing Chat, Aimee Ravichandran of Abundantly Social shared her best advice for self-published and indie authors who want to create staying power.


Why PR and Marketing Are Not the Same

One of the most common questions authors ask is: “What’s the difference between PR and marketing?”

Here’s how Aimee breaks it down:

  • Public Relations (PR): This is traditional marketing—bookstore tours, library tours, podcast interviews, media appearances, and speaking opportunities. It’s about credibility and exposure. PR builds your reputation, but it doesn’t always result in immediate sales.

  • Book Marketing: This is primarily digital—Amazon ads, Facebook ads, influencer outreach, and social media campaigns. Marketing focuses on finding readers and driving sales.

PR provides the content and credibility that marketing needs. Marketing ensures that content is seen by the right audience and continues to engage with those readers. Together, PR and marketing create momentum.


The Importance of Starting Early

Too many authors wait until their book is already published to think about promotion. That’s a mistake.

Aimee recommends starting 4–6 months before launch:

  • If you want trade or editorial reviews (Library Journal, for example), you’ll need at least six months.

  • Building a social media presence and testing ads takes time.

  • Early buzz creates excitement and credibility before the book even hits the shelves.

Marketing is most effective when it builds anticipation and FOMO (fear of missing out). By the time your book launches, you want readers and reviewers already lined up.


How Awards and Reviews Boost Credibility

Aimee stresses the power of awards and third-party validation. Just like business awards raise credibility for entrepreneurs, book awards make authors stand out.

  • Awards give you something to market without constantly pushing your book.

  • Editorial reviews provide trusted opinions outside of friends and family.

  • Even three-star reviews have value—they prove your book is being read by a wider audience.

These forms of credibility extend your book’s lifespan and give you more content to repurpose for ads and social media.


The Short Lifespan of a Book—and How to Beat It

The average lifespan of a book’s peak sales window is only 4–6 months. After that, momentum slows.

To extend your book’s reach:

  • Leverage PR wins: Use podcasts, interviews, and appearances as content for your digital marketing.

  • Run ongoing ads: Even small ad budgets keep your book visible in front of new readers.

  • Repurpose content: Share award announcements, reviews, and event recaps multiple times across your channels.

  • Plan long-term: Treat your book like a business asset, not a one-time event.

The key is consistency—marketing isn’t just for launch week, it’s for the life of your book. Keep a dedicated calendar of book birthdays and “National Day” observances that correspond to your book’s content. Those two content starting points provide you a strong marketing skeleton on which to build a full year.


Takeaways for Authors

If you want to sell books long after launch day, here are Aimee Ravichandran’s top tips:

  • Start PR and marketing months before your release date.

  • Use both PR and digital marketing—they feed each other.

  • Submit your book for awards and reviews to build credibility.

  • Expect that book sales slow quickly—but plan strategies to keep momentum alive.

  • Treat marketing as an ongoing investment in your author career.


Final Thoughts

PR builds trust. Marketing builds readers. Together, they build a career.

As Aimee Ravichandran emphasizes, the authors who succeed long-term are the ones who plan early, invest in credibility, and commit to consistent visibility. Whether you’re a debut self-published author or a seasoned pro, these strategies will help you keep selling books well beyond the launch window.


For more insights, listen to my full podcast conversation with Aimee Ravichandran of Abundantly Social.

Paid Marketing Strategies for Authors

Paid Marketing Strategies for Authors

After you publish, it’s time to consider Paid Marketing Strategies for Authors

As a self-published author, navigating the complexities of book marketing can be daunting. With countless strategies at your disposal, how do you know which ones will truly work? One powerful tool gaining momentum is paid media promotion. Or paid promos as we often call it.

But is it the right choice for you? In this post, we’ll break down the pros and cons of using paid services to market your book, and offer tips on how to make the most of your marketing budget. 

First, what is a paid promo list? Companies like Written Word Media and many others, have spent time and energy growing email lists by genre, of people who want to be notified of free and discounted ebooks. They’ve curated hundreds of thousands of email subscribers, and when you sign up for a promo, you are featured to the readers of your genre in an email announcing that your book is free or discounted, with a link to your book. As you’ll see in the case studies below, these can result in thousands of new readers, especially on the free download, which leads to more reviews and sales of your backlist.

We are huge fans of using the Paid Promo List strategy for creating buzz around a new book AND bringing life back into a book that’s been published for awhile.

Whether you’re contemplating a partnership with Written Word Media or attending events like the Women in Publishing Summit, let’s dive into the key insights you need before jumping into the world of paid promotions. And we’ve included a special discount at the end of this post for 20% off promo stacks with Written Word Media!

The Benefits of Using Paid Marketing Strategies to Promote Your Book

Paid media promotions can offer significant advantages, especially if you’re looking to gain exposure quickly and reach a targeted audience. Here’s why it might be worth considering:

1. Access to Established Audiences

One of the biggest perks of paid media promotion is the immediate access to large, pre-existing audiences. Platforms like Written Word Media and other marketing services have built-in networks, giving your book visibility among readers who may never have discovered it otherwise. It’s like getting an instant audience for your work.

2. Saves You Time and Effort

As a self-published author, time is precious. Crafting a compelling campaign can be time-consuming, and if marketing isn’t your strong suit, it can be overwhelming. By partnering with a professional marketing service, you free up valuable time to focus on what you do best: writing your next book. These experts handle everything from ad placement to strategy, so you don’t have to.

3. Targeted Advertising for Maximum Impact

With paid media, you can pinpoint the exact demographic you want to reach. Whether it’s readers who love romance, fantasy, or mystery, many platforms offer advanced targeting features that ensure your ads are shown to the right people. This means more effective use of your budget and higher engagement rates.

4. Expert Creative Input

Paid media services bring a wealth of experience to the table. They know how to craft eye-catching ads that stand out in today’s crowded digital space. From compelling visuals to persuasive copy, their expertise can make a huge difference in how your book is perceived.

 

Is Paid Promotion Within Your Budget?

Before diving into paid media, it’s crucial to have a clear understanding of your budget. Here’s what to consider:

Evaluate Your Total Marketing Costs

Paid promotions aren’t just about ad spend—they also involve design services, copywriting, and platform fees. Make sure you factor in all potential expenses when setting your budget.

Align Costs with Your Goals

Are you looking to increase sales, or is your goal more about gaining visibility? Understanding your objective helps you assess whether paid promotions are worth the investment. Remember, it’s not just about spending money—it’s about maximizing return on investment (ROI).

Consider a Balanced Approach

While paid promotions can be effective, don’t overlook free marketing opportunities. Combining organic marketing (like social media engagement and building an email list) with paid ads can help you achieve better results without overextending your budget.

 

When Paid Promotions Might Not Be the Right Choice

While paid promotions can offer powerful benefits, they aren’t always the right fit for every author or every situation. Here’s when you should reconsider:

Building an Organic Following First

If you’re just starting out, it’s wise to focus on building an organic following before investing heavily in paid ads. Paid promotions might not yield the desired results if you don’t already have a base of engaged readers who are excited about your work.

Targeting the Wrong Audience

If your ads are being shown to people who aren’t interested in your genre, it’s a waste of money. Always make sure you do thorough audience research before investing in paid promotions. This ensures you reach the right readers and avoid wasted ad spend.

3. Lacking a Strong Marketing Foundation

Paid ads are not a magic solution. If your book isn’t optimized with a compelling cover, catchy blurb, or strong author platform, paid ads won’t perform as expected. You need a solid marketing foundation before expecting great results from paid promotions.

4. Timing Matters

Paid promotions can be less effective during low-demand periods. If your genre isn’t trending or it’s an off-season for book sales, it’s better to wait for the right time. Market timing plays a crucial role in the success of your campaigns.

A Case Study with Written Word Media

We recently used Written Word media for a promotion of two of our books from Chrysalis Press, an imprint of Kat Biggie Press. We listed The Paris Predicament by Lexi Haddock and After December by Kasie Whitener in two different campaigns.

The Paris Predicament 

We booked the Romantic Comedy 5-Day Stack (Free Book) stack for this particular book. It fit well within our genre and included multiple newsletters and features. From that stack we received 6,580 ebook downloads and 3 paperback sales in the 5 days. Not bad! There were also a handful of ebook sales after the price went back up. It also led to an increase in ebook sales and 2 print sales of the first book in the series, 4 Days in Paris.

After December 

We booked The Fussy Librarian newsletter for a literary fiction novel that has been published for several years and needed some new life. The book After December by Kasie Whitener received 435 ebook downloads and 1 print book sales. The literary fiction genre (or at least this book) didn’t fare as well as one of the viral genres, but we were pleased to get some new traction with the book. 

In that same timeframe, The Paris Predicament also gained over 15 new reviews.

The five-day promo was about $250 and single day newsletter features run anywhere from $50-$150, depending on the size of the email list for that genre. In some cases, it’s marketing dollars simply invested in growth and more eyes on your book. In other cases, especially if you have a backlist, they can be very profitable.  

Is Paid Media Right for Your Book?

Paid media promotions offer powerful opportunities, but they’re not one-size-fits-all. By understanding both the benefits and potential drawbacks, you can make an informed decision about whether it’s the right choice for your book and your marketing strategy.

Carefully evaluate your budget, set clear goals, and always do your research before jumping in. Paid media can work wonders when used strategically, but it’s essential to build a solid foundation first. Mix paid promotions with organic efforts for the best chance of success—and keep an eye on your ROI to ensure your efforts are paying off.

Written Word Sponsor is currently offering an incredible discount to the Women in Publishing Summit community! Through April 5, 2025, you can get a 20% discount off any of their promo stacks using code WIP2025. Head to Written Word Media to get started today!