Kindle Unlimited Library Distribution is a Go!!

Kindle Unlimited Library Distribution is a Go!!

The Rumors Have Been Confirmed!

Amazon has announced a major update that KU authors have been waiting for: Kindle Unlimited library distribution is now possible. For the first time, ebooks enrolled in KDP Select can also be made available to public libraries—without breaking exclusivity.

This opens the door for KU authors to reach new readers, expand visibility, and earn additional income through library sales. Here’s how to take advantage of this update and distribute your Kindle Unlimited ebook to libraries.


 

What Is KDP Select?

KDP Select is Amazon’s optional program for Kindle eBooks only that provides extra benefits (like inclusion in Kindle Unlimited and promotional tools) in exchange for exclusivity.

Requirements to enroll in KDP Select:

  • You must have exclusive rights to the primary content of your Kindle eBook. Public domain content is not eligible.
  • Your Kindle eBook must remain exclusive to the Kindle Store during the 90-day enrollment period.
  • New update: During this period, your ebook can also be distributed to public libraries.
  • Print, audio, or video versions of your book can still be distributed outside of Amazon.

đź“– Learn more at the official KDP Select help page.

 


What Changed in KDP Select Exclusivity?

Amazon updated the KDP Select rules to say:

“During the 90-day enrollment period, the Kindle eBook can only be distributed through KDP and public libraries.”

This change officially allows Kindle Unlimited authors to distribute eBooks to libraries while remaining in the KU program.

 


Why Library Distribution Matters for KU Authors

  • Expanded Reach: Libraries help new readers discover your work.
  • Social Proof: Library visibility builds reviews and credibility.
  • New Income Streams: Libraries pay higher prices for eBooks and may use models that generate royalties per checkout.

 

How to Distribute Your Kindle Unlimited eBook to Libraries

The easiest way is through Draft2Digital’s library services.

Step-by-step guide:

  1. Create a Draft2Digital account at draft2digital.com.
  2. Add your book. Upload manuscript, cover, and metadata. (Tip: Use your own ISBN for broader distribution.)
  3. Select library services only. Deselect retailers. Choose: OverDrive, Hoopla, BorrowBox, Odilo, cloudLibrary, Baker & Taylor, and Palace Marketplace.
  4. Set your library pricing. Standard practice is 2–4x your retail ebook price (e.g., if your ebook is $3.99, price the library edition $7.99–$12.99).
  5. Confirm and publish. Verify your rights and submit.

MAKE CERTAIN YOU DE-SELECT all RETAILERS!


 

Library Distribution Models to Know

  • One Copy/One User: Library purchases one copy; one patron can check it out at a time.
  • Cost Per Checkout: Library pays per borrow; you earn royalties each time.

 

Tips for Success with Library eBook Distribution

  • Build reviews first. Libraries prioritize books with proven demand.

  • Price wisely. Too high may discourage purchases; too low reduces potential revenue.

  • Encourage readers to request your book. Demand drives library acquisitions.


Conclusion:

This update is a huge win for KU authors. For years, exclusivity kept library distribution off the table. Now, with Kindle Unlimited library distribution, you can enjoy both KU visibility and library reach.

📚 Start today: sign up with Draft2Digital, upload your KU eBook, and get your book into libraries worldwide.

Watch the Tutorial for distributing your book via Draft2Digital

Offset or Digital Printing – Which is Best for Your Book?

Offset or Digital Printing – Which is Best for Your Book?

This is a guest post from Lori McKnight at MCRL Overseas Group.

Which is better offset or digital printing a book?

The decision to offset print or digitally print your book or planner ultimately depends on your business’ goals, needs, and budget.

One type of printing is not better than the other…the best choice truly depends on your situation. 

  • What’s your budget?
  • How many books or planners do you need?
  • What are your sales goals?
  • Are eco-friendly materials important?
  • Do you envision unique design and decorating features?
  • How much lead time do you have?

 

Image provided by MCRL Overseas Group

 

If you’re looking to print more than 300 books, planners or board books, then it’s worthwhile to get an offset printing quote. 

Not only is offset printing less expensive for higher print runs, it gives you many more options for:

  • paper stock 
  • PMS color matching Image provided by MCRL Overseas Group
  • non-standard sizes, including landscape books
  • unique features such as interactive flaps, textiles, branded pockets, tabs, glitter, etc. 

 

Alternatively, if you want to print under 300 books or planners that are standard size, without much customization then digital printing may be the way to go.

The Pros and Cons 

Offset Printing Pros

  • Most cost-effective for print runs > 300 books or planners
  • Highest quality printing with vibrant colors and crisp artwork
  • Wide range of paper stocks, custom options and eco-materials

Offset Printing Cons

  • Higher setup costs so uneconomical for print runs < 300 
  • Longer lead time 
  • Requires space to store inventory

Digital POD Printing Pros

  • Most cost-effective for small print runs
  • Faster turnaround as no set up is required
  • Print your books as you get orders (no inventory)

Digital POD Printing Cons

  • Cost per unit doesn’t change much with higher print runs
  • Profit margin is less 
  • Limited selection of cover materials, paper, finishes and add-ons

 

This comparison chart lists additional factors you may want to consider when determining the best type of printing and printing partner for your project.

 

chart comparing offset and digital printing

We recommend you get 2 quotes before making a final decision.
Thanks to MCRL Overseas Group for providing offset printing information

 

The Bottom Line

The best type of printing depends on your business goals and budget.

Digitally printing your book with vendors such as IngramSpark, Blurb, etc. will be less expensive than offset printing for small quantities.  

Offset printing more than 300 copies of your book or planner with an offset printer like MCRL Overseas Group will be significantly less expensive than digitally printing. And as your quantity increases, the unit price drops so your profit margin increases.

For a price comparison of offset printing and POD a hard cover and paperback book, download a Printer’s Guide to Offset Printing Your Book. During the 2024 WIP Summit, MCRL presented cost comparisons, printing tips and a guide to help you evaluate multiple printing quotes. https://www.mcrlprinting.com/wps/

 

Additional Resources 

Photo gallery of offset printed books & planners

Printing Terminology

 

 

Self-Publishing Myths Debunked: What to Know Before Publishing

Self-Publishing Myths Debunked: What to Know Before Publishing

Self-Publishing Myths Debunked: What Every Author Needs to Know Before Publishing

Self-publishing has transformed the publishing world, opening doors for millions of authors. But with its rise has come a flood of misinformation. If you’ve been told self-publishing is easier, more profitable, or a guaranteed way to get your book into bookstores—you’ve likely been sold a myth.

In a recent episode of Alexa’s Publishing Chat, I interviewed Joel Pitney, founder of Launch My Book. With experience on both the traditional and indie sides of the publishing world, Joel offered a candid breakdown of the most harmful self-publishing myths—and what authors should actually focus on if they want long-term success.

Whether you’re just starting your publishing journey or considering your next launch, this post will help you separate fact from fiction.


Myth #1: You’ll Make More Money if You Self-Publish

The Truth: You might, but only if you’re strategic and willing to invest.

Many authors are drawn to self-publishing for its higher royalty rates. But what often goes unspoken is that those royalties only apply after you’ve covered the cost of production. When you self-publish, you’re financially responsible for everything—editing, design, formatting, distribution, and marketing.

What to do instead:
Before publishing, create a clear budget. Know your production and promotional costs and be realistic about how many books you’ll need to sell to break even. Prioritize professional editing and cover design—they’re the foundation of your book’s success.


Myth #2: Your Book Will Be in Bookstores

The Truth: Bookstore placement is rare for self-published authors and requires active effort.

Self-publishing platforms like IngramSpark make your book available to retailers, but availability does not equal visibility. Most bookstores don’t open accounts with individual authors. Many automatically filter out self-published titles due to quality concerns or logistical hurdles.

What to do instead:
Focus on building relationships with local bookstores and libraries. Consider consignment models, live events, or book clubs. And don’t overlook tools like Bookshop.org that let you sell online while supporting independent stores.


Myth #3: Self-Publishing Is Easier Than Traditional Publishing

The Truth: It’s not easier—it’s just different.

When you self-publish, you take on the responsibilities of an entire publishing team. From project management to quality assurance and marketing, every decision is yours. That can be empowering, but it also means more work and complexity than most authors anticipate.

What to do instead:
Use project management tools (like a Gantt chart or timeline) to stay organized. Plan your production and marketing schedule in advance. And don’t hesitate to hire help where needed—especially for editing and formatting.


Myth #4: Readers Don’t Judge a Book by Its Cover

The Truth: They do—and so do bookstores, librarians, and reviewers.

Cover design is one of the most important factors in a reader’s decision to click, browse, or buy. A cover that looks unprofessional can tank your credibility, no matter how great your writing is.

What to do instead:
Hire a professional cover designer, ideally one who understands your genre. Avoid stock templates and Canva covers unless you have strong design skills. Consider services like 99designs or work with a full-service publishing team that offers cover design as part of the package.


Myth #5: Amazon Metadata Hacks Will Make You a Bestseller

The Truth: Keywords and categories help—but only if you already have traffic.

Authors often believe that mastering Amazon’s algorithm will unlock sales. But Amazon is a retail engine, not a discovery engine. You still need to send readers to your book page, and Amazon rewards sales and reviews—not clever keyword choices.

What to do instead:
Use solid metadata, but don’t obsess over it. Put your energy into building an email list, guesting on podcasts, using reader magnets, and creating real buzz around your book. Get reviews and drive sales from external channels.


Myth #6: Pre-Orders Are a Must-Have Strategy

The Truth: Pre-orders have value in some cases—but for most indie authors, they can backfire.

Unless you’re running a traditional bestseller campaign or have a large pre-existing audience, pre-orders can waste valuable attention. If a potential buyer visits your Amazon page and the print book isn’t available—or if the book isn’t shipping yet—you may lose the sale.

What to do instead:
Use a soft launch strategy. Quietly publish your book early so you can:

  • Gather early reviews

  • Test your formatting and metadata

  • Claim your Author Central and Goodreads pages
    Then focus your marketing push once all formats are available for purchase.


Bonus Insight: Your Book Is a Business

Publishing a book isn’t just a creative endeavor—it’s launching a product. That means planning, budgeting, investing, and building infrastructure around your work. Success doesn’t come from shortcuts or viral hacks. It comes from treating your book like the business asset it is.

Joel’s advice to authors:

  • Don’t skip professional editing and design.

  • Don’t rely on Amazon to do your marketing.

  • Learn from people with real experience—not just authors with one or two books.

  • Use tools like AI to streamline processes, but don’t expect them to replace strategy.

  • Focus on long-term results, not launch-day fireworks.


Final Thoughts

Self-publishing offers incredible freedom—but with that freedom comes responsibility. Falling for popular self-publishing myths can waste your time, energy, and money. Take the time to understand what’s truly required to publish and promote your book successfully.

If you want help publishing a professional book under your own name, check out Launch My Book. Their author-first model supports you through both production and promotion—and their blog is full of helpful articles to deepen your publishing knowledge.

Want to hear Joel’s full breakdown of these myths?
Listen to his episode on Alexa’s Publishing Chat for even more actionable advice.

Why You Should Consider a Self-Publishing Service Provider

Why You Should Consider a Self-Publishing Service Provider

Why Partnering with a Self-Publishing Service Provider Might Be the Smartest Move You Make

Are you overwhelmed by the self-publishing process? You’re not alone.

At a recent session with Leanne Janzen from FriesenPress, we got a behind-the-scenes look at what it really means to self-publish with the help of a trusted service provider—and the difference it can make in your publishing journey.

This post breaks down the key takeaways and action steps for authors who are serious about publishing professionally, efficiently, and with full creative control.


Key Takeaways: The A to Z of Working with a Self-Publishing Service Provider

1. Self-publishing = self-empowerment.
You’re in control of everything—from editing and design to pricing and marketing. The biggest perk? You keep 100% of your net royalties.

2. You don’t have to do it alone.
DIY self-publishing can be exhausting. With a service provider like FriesenPress, you work with a pre-vetted team of editors, designers, and specialists who handle the heavy lifting—while you stay creatively in charge.

3. You still have homework.
You’ll need a polished manuscript (Word doc), high-res images, beta reader feedback, and clarity on permissions or citations. The more prepared you are, the smoother the process.

4. Support doesn’t stop at launch.
Changes in the publishing landscape—like shifts in return policies at online retailers—can impact your book. A service provider keeps you in the loop and adapts fast.

5. Don’t confuse service providers with hybrid publishers.
Service providers help you self-publish and retain full rights and royalties. Hybrid publishers often require payment but may own part of your rights and control royalties.


The Life Cycle of a Book with a Self-Publishing Service Provider

Here’s what the process typically looks like when working with a publishing services partner:

  1. Consultation – Free and pressure-free. Evaluate fit, review services, ask all your questions.
  2. Manuscript Evaluation – Get pro-level feedback on your book’s structure, tone, editing needs, and metadata suggestions.
  3. Production – Editing, cover design, interior layout, and pricing support—all guided by a publishing specialist.
  4. Distribution – They manage listings (Ingram, Amazon, B&N, Apple, etc.), assign ISBNs, and set your book up for print and ebook sales.
  5. Promotional Coaching – From social media setup to custom content calendars and event materials, they help you build your marketing strategy step by step.

Action Steps for Authors Considering a Service Provider

  • Format your manuscript in Word or LibreOffice.
  • Prepare high-resolution images separately.
  • Complete beta reading and peer reviews before onboarding.
  • Have citations and copyright questions clarified.
  • Book a consultation (many providers offer them for free!).
  • Research the company: Google reviews, BBB accreditation, talk to past clients.
  • Read the service agreement thoroughly. Ask for clarification before signing anything.

What a Good Service Provider Won’t Do

  • They won’t promise to market your book for you.

    Instead, they’ll coach you on how to promote it effectively.

  • They won’t own your work.

    You keep your rights, your royalties, your voice.


Bonus Tip: Ask About A La Carte Services

Some providers, like FriesenPress, offer standalone manuscript evaluations and editing. This is a great way to test the waters before committing to full production support.


Final Thoughts

If you’ve been dreaming about publishing but drowning in decisions, a publishing services partner might be exactly what you need to move forward with clarity and confidence.

Leanne Janzen and her team at FriesenPress show that professional self-publishing doesn’t mean going it alone—it means choosing the right partners for the journey.

Ready to learn more? Visit FriesenPress and save $150 on a manuscript critique through our link: https://womeninpublishingsummit.com/friesenpress

Grow Your Publishing Empire Without Breaking the Bank! With Alexa Bigwarfe and Hannah Jacobson

Grow Your Publishing Empire Without Breaking the Bank! With Alexa Bigwarfe and Hannah Jacobson

Ready to transform your publishing business without draining your savings? Join dynamic industry innovators Alexa Bigwarfe (Write|Publish|Sell) and Hannah Jacobson (Book Award Pro) for an eye-opening adventure into lean, profitable publishing entrepreneurship. Whether you’re a solo author-publisher or running a small press, discover how to ditch outdated growth models and embrace the smart, streamlined approaches that today’s most successful publishers use.

This energizing session cuts through the noise with battle-tested strategies and insider shortcuts that will revolutionize how you think about scaling your publishing business. No dry theories here: just practical, immediately applicable techniques from two founders who’ve built thriving publishing ventures without massive teams or investor millions.

At the end of this session you’ll walk away with:

1 – The essential technology solutions every publishing entrepreneur needs. Discover which affordable digital tools can replace expensive staff positions while streamlining your entire publishing workflow from manuscript development through marketing

2 – A blueprint for building a network of specialized freelancers who deliver extraordinary results without the overhead of employees, including where to find them, how to evaluate them, and the exact systems for managing efficiently

3 – A clear-eyed look at funding options that helps you choose between bootstrapping, crowdfunding, grants, or investors—with real-world publishing success stories and cautionary tales that will save you costly mistakes and point you toward the perfect solution for your unique publishing vision Bring your notebook and your biggest publishing dreams. You’ll leave with an actionable roadmap to grow your publishing business the smart way!

Alexa Bigwarfe (Write|Publish|Sell)
Alexa Bigwarfe is an author, speaker, publisher, and author coach. She enjoys connecting authors and women in the publishing industry to the resources they need to progress in their journeys. She has worked with and supported thousands of authors through her conferences, training programs, webinars, podcasts, and publishing support services. The Women in Publishing Summit launched in 2017 when Alexa noticed a need for representation of women and diversity in the online publishing conference world. It is her goal to create an environment that not only provides top-of-the-line training, but builds community for connections to find the people and resources and tools you need in your publishing journey, AND create a space to recognize the accomplishments of women in the publishing industry. Empower. Encourage. Support.

Hannah Jacobson (Book Award Pro)
Hannah Jacobson is the founder of Book Award Pro, a platform that helps authors find and win book awards by connecting them to over 11,000 submission opportunities. Trusted by authors and professionals around the globe, Book Award Pro operates the world’s largest database of legitimate reviews and awards. Through Book Award Pro, authors across six continents have won thousands of awards annually.